goldennanax.blogg.se

1. #STEVIE WONDER JAZZ BLUES INSTRUMENTAL PROFESSIONAL AND CREATIVE#
2. #STEVIE WONDER JAZZ BLUES INSTRUMENTAL SERIES LAUNCHES WITH#

Stevie Wonder Jazz Blues Instrumental Professional And Creative

By 18 he had already experienced a full career’s worth of professional and creative triumphs and setbacks. By the time he was 12 years old, Wonder was an ascendant star and popular live draw. For those of us vested with a more normative skill set, the surpassing strangeness of this state of affairs can be difficult to grasp. Like Mozart, Mendelssohn, Earl Scruggs, and Alex Chilton before him, Wonder composed and performed songs as a young child that inextricably transformed the contemporary landscape. Filename C:Documents and SettingsAdmin Lossless Galaxy Rip by ALLexxessStevie Wonder1976 Songs In The Key Of Life (2SHM-CD Set Universal Music Japan 2012)CD2Stevie Wonder - Songs In The Key Of Life CD2.wav Peak level 100.0 Extraction speed 6.3 X Range quality 100.0 Test CRC 92A7CE74 Copy CRC 92A7CE74 Copy OKSteveland “Stevie Wonder” Morris is an indisputable icon of American music, but in many ways is best understood as a part of a separate tradition — that of the musical prodigy.

Stevie Wonder Jazz Blues Instrumental Series Launches With

A natural showman and sonorous vocalist, Wonder gained sufficient notoriety as a street performer that he quickly attracted the attention of executives from the local Motown juggernaut. Nevertheless, by the time his mother relocated the family to Detroit when he was 4, Wonder had already begun to develop his uncanny musical gifts for piano, harmonica, and drums. The song was originally a jazz instrumental, and the live version was.Stevie Wonder will perform a handful of shows this summer as part of a limited engagement concert series, 'Stevie Wonder Song Party: A Celebration of Life, Love and Music.' The series launches with a five-night stand at the Park Theater at Park MGM in Las Vegas, August 3rd, 4th, 8th, 10th and 11th.Arriving under hardscrabble circumstances in 1950, Wonder was born several weeks premature and blind from birth. By age 30 he was largely spent as a creative force.Universal Music Enterprises has re-mastered Stevie Wonders all-time best selling.

The style of the score is Jazz. It is performed by Stevie Wonder. Here he is.This composition for Choir Instrumental Pak includes 2 page(s). It was a pure instrumental recording from his first album The Jazz Soul Of Little Stevie. Label head Berry Gordy was the Dumbledore figure — sufficiently intrigued to take a chance, but worried what complications might follow.Little Stevie Wonder featured on yesterdays PY show, with the original version of Fingertips.

What followed was his golden period — a collection of timeless records beginning with 1971’s unsubtly titled Where I’m Coming From and running through 1976’s double-LP masterpiece Songs In The Key Of Life.Equal parts innovative and back-to-basics, these records found Wonder picking and choosing his favorite elements of the soul, funk, folk, and psychedelic music of the period, and repurposing them into a wholly unique and profoundly gratifying vision. At Motown, highly tenured Marvin Gaye had already adopted a dissident attitude — releasing the bracing, topical LP What’s Going On over the objection of Gordy, who allegedly referred to the future classic as “The worst thing I ever heard.” That record’s immediate critical and commercial success chastened, or at least reoriented Gordy, who subsequently got religion on Wonder’s more auteur impulses. Only 1966’s undeniable “Up-Tight Everything’s Alright” hinted at a solution, or at least a détente between a rapidly growing artist and a label bent on maximizing every last dollar.In an era where success and failure in the industry revolved around the relative ephemera of the 7″ rather then the overarching statements of the LP, tensions between labels and artists became a constant. Provided an untenable creative context, Wonder did his level best to breathe life into these product records, but his frustration was growing acute. By the late seventies, Wonder was also leading the way in New Age instrumental music with the soundtrack album.Still unsure of his youthful charge, Gordy shipped Little Stevie out to Motown West in Los Angeles, where he was conscripted into ludicrous fare such as Stevie At The Beach, a transparent and cynical attempt to capitalize on the popularity of Jan & Dean and the Beach Boys. How to sell a teenaged genius whose voice and style were certain to mature?1 pop and R&B hits I Wish and Sir Duke.

Meanwhile, Wonder’s more panoramic and approachable vision continues to attract a new and diverse fan base, one that seems to expand with each passing year. But crucially, it failed to speak to a diverse audience and ultimately has been relegated to the province of a devoted cult. Sly’s 1971 masterpiece There’s A Riot Going On is one greatest records ever made — a crushingly cynical and all too true account of poverty’s despair and the bleak future of urban communities going forward. Between enormous AM radio hits like “You Are The Sunshine Of My Life” and the validation of P-Funk hero George Clinton naming Stevie “Secretary Of Fine Arts” on Parliament’s indispensable 1975 track “Chocolate City,” Wonder had successfully navigated Berry Gordy’s long-dreamed-of middle path between African-American pride and mainstream acceptance.As the great Sly Stone receded further and further into a haze of drugs and disillusion, Wonder increasingly stood alone in the mid-’70s as a serious ambassador of African-American anxieties to both black and white audiences. By the time Wonder was opening for the Rolling Stones on their infamous 1972 tour, he had arguably eclipsed that band as avatars of post-racial popular song.

His preoccupations still seem more or less the same - love, sex, love, god, love lost, and some larger social concerns - guns, violence, equality, and he makes reference to the Holocaust. Electing to dispense with his usual band personnel, all of the instrumentation on the album is largely played by Wonder himself and the result is a more immediate record that at least sounds different than that which preceded it. Overall, clearly minor but interesting.After a considerable lull and an inspiring visit to Ghana, Wonder returned to the studio after the relative failure of the Jungle Fever soundtrack. Opener "Hallelujah I Love Her So" swings with agreeable infectious energy and the Wonder co-write "Sunset" hints at the roiling genius lurking in this budding writer and arranger. Still and even, the band and singer throws their shoulder into a difficult concept and render some gems.

Following two decades of Wonder engaging only sporadically with his extraordinary gifts, it had become increasingly difficult to imagine him delivering a persuasive album of serious musical and thematic content. Maybe it's just because it's refreshing to hear that even Stevie can get dissed, or maybe it's merely great to know that stripped down, he still can bring the heat.As a long delayed, and conspicuously (desperately?) "star studded" outing, 2005's A Time For Love seemed by all appearances an unpromising gambit from the outset.